Monday morning balderdash.
A dozen or so links from the weekend - starting at home for a change. The Irish Times has a review from the man what knows so many things, Robert Dunbar. Dunbar reviews the final posthumous title by Siobhan Dowd - Solace of the Road.
It is, in many respects, her strongest work, exhibiting in rich variety the blend of qualities which characterise her earlier books, A Swift Pure Cry, The London Eye Mystery and Bog Child : a powerful sense of story, a sympathetic insight into life’s unpredictability and a perceptive and compassionate understanding of the young, especially those in need of a little solace along the road.
Alex Meehan interviews Derek Landy in the Sunday Business Post:
I didn’t plan to be a children’s author. If anything I thought I’d be a crime writer as that is the genre I enjoyed reading most, but the idea demanded to be written in a certain way, so that’s how I did it.
Sticking with the home brew, the Irish Independent features a piece on teenage fiction - more specifically the recent news of Darren Shan’s new deal.
I’m so excited — even more so than when the Harry Potter books started to fly off the shelves. Combining elements of horror, romance, darkness and the supernatural, the teen horror/goth-lit genre allows the reader to connect emotionally and has captured imaginations worldwide. The books that fall into this category are truly gripping the nation and although this started off as a teen sensation, we can already see the average reader age spiralling upwards. - David O’Callaghan
Even the Irish Examiner are getting in on the action - with news about ‘One book, One Southhill’
Across the water the Amanda Craig has three reviews in the Times UK - Solace of the Road (Siobhan Dowd), Running on the Cracks (Julia Donaldson) and The Ant Colony (Jenny Valentine).
Sticking with the Times, Owen Vaughan interviews Joe Quesada on all things Marvel-ous:
Marvel has had a renaissance under Quesada: it’s comics dominate the market, the characters and stories are fresh and Marvel superheroes are huge at the box office — the three Spider-man movies made almost two and a half billion dollars worldwide. In fact, apart from Stan Lee, it’s hard to imagine an editor-in-chief who has had more of an impact. “I see myself as a caretaker, that it’s my job to make sure that the direction the characters take is the proper one, to make sure that the characters are attractive and viable for readers long after I’m gone.”
Penny Wark talks to Joanne Zellweger and Gerard Featherstone about writing children’s books around the experiences of their deaf son.
Outer Suburbia
Some of the stories are told partly or entirely in pictures, expressing ideas that make words seem inadequate. Meanwhile, the text relates surreal, lyrical, witty tales of exceptional events set in ordinary life.
Tuesday saw Philip Pullman rage against the machine - the subhead alone would knock over a nun, “why he’s so angry about God”.
What next for Pullman? He is said to be working on The Book of Dust, a companion volume to the trilogy in which he will explain his negative portrayals of religion. But he has taken a vow of silence on the project, while not denying any of the above. It will shed light on his position, won’t it? “Partly, yes, but I’m not going to talk of it. I have to get on and finish it.” Besides, there is a new passion in his life - a guitar. He’s always played, but he only went electric last year. It’s a Fender and he’s thrilled with it.
In the Guardian Mark Lawson talks to Michael Morpurgo about his acting debut and the opening of the War Horse at the National Theatre.
Philip Ardagh reviews Julia Donaldson’s Running on the Cracks and Kevin Crossley-Holland’s desk goesunder the microscope.
The birthday celebrations for Eric Carle’s Very Hungry Caterpillar weren’t ignored either - with features in the Telegraph and the Independent UK.
Elsewhere in the Independent there are some tips on what to look for in ye olde toy chests - the toys collectors will pay out for.
Eoin Purcell spots an interesting piece on Jeremy Paxman’s The Victorians - it was apparently written by Neil Hegarty.
And finally, The Guardian’s digested read is The Bell Jar - the entire novel in 977 words. Time efficient or what?!